This is especially true when Lukas is first menaced by the clown puppet its footsteps, bell-ringing and chitter-chatter are utilised by all the speakers moving around the room at such pace that you find yourself turning your head to see if that was part of the film or some demon in your own room.
#The hole 3d sbs full
Well, just as the picture is absorbing and engaging, so too is the sound, which makes full use of the surround field to place some truly eerie effects. I concentrate on the dts-HD Master Audio 5.1 track for this description. On the whole this was a very worthwhile 3D experience and worthy of a reference score. My passive technology viewing made sure there was no crosstalk, save the baseball that Lukas was throwing out of the screen, making for a very pleasant 3D experience, though the same technology did throw up the occasional aliasing line, but it was extremely rare.
#The hole 3d sbs free
Look too at the darkness spread in the basement, or the girl’s toilet when Julie is menaced for some terrific shadow detailing in the deep inkiness.ĭigitally I spotted no compression artefacts, nor was there any edge enhancement, and colour was free from any banding or posterization issues.
Colours are bright and bold when we first meet the family without wash or bleed, but do ‘thin’ later in the film as the darkness of the film takes over, this is intentional and not a print defect.īrightness and contrast are set to give some terrific blacks (with the usual 3D caveat) which are at their best when looking into, or out of, the Hole which is completely impenetrable.
#The hole 3d sbs skin
Skin and clothing weaves are suitably well defined as is the wood grain and strained steel of the hatch the seals the Hole, look too at the various objects that make up the basement, paint cans, shelving, even the dust, which are all pin sharp.
The rest of the picture fairs just as well being clean, bright and detailed. Gimmicks aside the 3D elements are for the most part extremely natural and add the extra dimension in such a way as you become accustomed to the picture without being brought out of the film. Once we are inside the Hole with its expressionist landscape, the 3D once again opens up the frame with some excellent distance into the frame, and when it all breaks apart there is some terrific looking falling debris. out of) the frame were slightly groan inducing, but shots from inside the Hole looking out are excellently realised when the three dangle the various objects (especially the camera with its light) into (again out of) the frame. Obvious shots, such as Lukas laying on his bed with the camera looking down on him as he throws a baseball into (i.e. As this was a relatively new film to the format there were also scenes dedicated to ‘gimmicky, in your face’ shots, though even these are quite tastefully done. Notable shots, for me, were the simplest, such as Julie swimming underwater, where the surface of the pool provides a terrific holding point so she is ‘deep’ in the water. Likewise each successive layer has its own solidity, looking again at the moving scene, the boxes look solid enough to pick up yourself! There are tangible distances between the actors in two shots and, it seems, there is never an opportunity lost to not give some kind of depth to frame. Even the simplest shots, such as when the family are first moving in, with boxes and crates holding the extreme foreground and successive layers moving back into the frame giving a real sense of 3D space.
#The hole 3d sbs 1080p
The disc presents a widescreen 1.85:1 1080p 2D and 3D transfer that is Region locked to B.īeing a natively shot 3D feature there is plenty of realistic elements with careful framing in mind to make the best use of the extra depth associated with the format.
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